Brahmanda Purana — Madhya Bhaga — Chapter 62
BndP 2 62.1
नागादृष्टिविषागीतानोपसर्पन्तिमूर्छनाः । नानासाधारमश्चैववडवात्रिविदस्तथा ॥ ब्न्द्प्_२,६१।५३ ॥ इति श्रीब्रह्माण्डे महापुराणे वायुप्रोक्ते मध्यमाभागे तृतीय उपोद्धातपादे गान्धर्वमूर्छनालक्षणवर्णनं नामैकषष्टितमो ऽध्यायः ॥ ६१॥ पूर्वाचार्यमतं बुद्ध्वा प्रवक्ष्याम्यनुपूर्वशः । विख्यातान्वै अलङ्कारांस्तन्मे निगदतः श्रुणु
nāgādṛṣṭiviṣāgītānopasarpantimūrchanāḥ / nānāsādhāramaścaivavaḍavātrividastathā // bndp_2,61.53 // iti śrībrahmāṇḍe mahāpurāṇe vāyuprokte madhyamābhāge tṛtīya upoddhātapāde gāndharvamūrchanālakṣaṇavarṇanaṃ nāmaikaṣaṣṭitamo 'dhyāyaḥ // 61// pūrvācāryamataṃ buddhvā pravakṣyāmyanupūrvaśaḥ / vikhyātānvai alaṅkārāṃstanme nigadataḥ śruṇu
The mūrchanās do not approach one whose song is poison to the serpent's sight (?); and there are various non-common (notes), and the Vaḍavā likewise is of three kinds. — Thus in the glorious Brahmāṇḍa Mahāpurāṇa, spoken by Vāyu, in the Middle Part, in the third, the Upodghāta section, the sixty-first chapter, named the Description of the Characteristics of the Gandharva Mūrchanās. — Having understood the view of the earlier teachers, I shall declare in order the well-known ornaments (alaṅkāras); hear them from me as I recite.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.2
अलङ्कारास्तु वक्तव्याः स्वैः स्वैर्वर्णैः प्रहेतवः । संस्था नयोगैश्च तथा सदा नाढ्याद्यवेक्षया
alaṅkārāstu vaktavyāḥ svaiḥ svairvarṇaiḥ prahetavaḥ / saṃsthā nayogaiśca tathā sadā nāḍhyādyavekṣayā
But the ornaments are to be uttered with their own respective syllables (varṇas) as their causes, and with their fixed positions and combinations, and always with regard to what is rich (in notes) and so on.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.3
वाक्यार्थपदयोगार्थैरलङ्कारैश्च पूरणम् । पदानि गीतकस्याहुः पुरस्तात्पृष्ठतो ऽथ वा
vākyārthapadayogārthairalaṅkāraiśca pūraṇam / padāni gītakasyāhuḥ purastātpṛṣṭhato 'tha vā
The filling out (is done) by means of the sense of the sentence, the joining of words, and by ornaments; they call these the 'words' (padas) of the song, (placed) in front or else behind.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.4
स्थातोनित्रीनरो नीड्डीमनःकण्ठशिरस्थया । एतेषु त्रिषु स्थानेषु प्रवृत्तो विधिरुत्तमः
sthātonitrīnaro nīḍḍīmanaḥkaṇṭhaśirasthayā / eteṣu triṣu sthāneṣu pravṛtto vidhiruttamaḥ
... the three registers, in the chest, the throat, and the head: in these three places the procedure that operates is the best.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.5
चत्त्वारः प्रकृतौ वर्णाः प्रविचारस्य नुर्विधा । विकल्पमष्टधा चैव देवाः षोडशधा विदुः
cattvāraḥ prakṛtau varṇāḥ pravicārasya nurvidhā / vikalpamaṣṭadhā caiva devāḥ ṣoḍaśadhā viduḥ
The tone-colours (varṇas) are four in their basic form, and the modes of movement (are) of (several) kinds; the variation is eightfold, and the gods know (it as) sixteenfold.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.6
सृष्टो वर्मः प्रसंचारी तृतीयमवरोहणम् । आरोहणं चतुर्थं तु वर्णं वर्मविदो विदुः
sṛṣṭo varmaḥ prasaṃcārī tṛtīyamavarohaṇam / ārohaṇaṃ caturthaṃ tu varṇaṃ varmavido viduḥ
(The first is) the produced (sṛṣṭa) tone-colour, (the second) the transitional one, the third is descent, and the fourth colour the knowers of tone-colour know as ascent.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.7
तत्रैकः संचरस्थायी संचरस्तु चरो ऽभवत् । अवरोहणवर्णानामवरोहं विनिर्दिशेत्
tatraikaḥ saṃcarasthāyī saṃcarastu caro 'bhavat / avarohaṇavarṇānāmavarohaṃ vinirdiśet
Among these, one remains fixed in its movement, while (another) movement became mobile; of the descending tone-colours one should indicate descent.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.8
आरोहणेन वारोहान्वर्णान्वर्णविदो विदुः । एतेषामेव वर्णानामलङ्कारन्निबोधत
ārohaṇena vārohānvarṇānvarṇavido viduḥ / eteṣāmeva varṇānāmalaṅkārannibodhata
By ascent, the knowers of tone-colour know the ascending tone-colours; now learn the ornaments (alaṅkāras) of just these tone-colours.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.9
अलङ्कारास्तु चत्वारस्थापनी क्रमरेजनः । प्रमादस्याप्रमादश्च तेषां वक्ष्यामि लक्षणम्
alaṅkārāstu catvārasthāpanī kramarejanaḥ / pramādasyāpramādaśca teṣāṃ vakṣyāmi lakṣaṇam
The ornaments are four: the establishing (sthāpanī), the successive (krama), the shining (rejana?), the careless and the careful; I shall state their defining marks.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.10
विस्वरो ऽष्टकलाश्चैव स्थानं द्व्येकतरागतः । आवर्त्तस्याक्रमो त्वाक्षी वेकार्यां परिमाणतः
visvaro 'ṣṭakalāścaiva sthānaṃ dvyekatarāgataḥ / āvarttasyākramo tvākṣī vekāryāṃ parimāṇataḥ
(There is) the toneless one, and the eight time-units; the position reaches (from) two to one; the non-sequence of the turn (āvarta) ... according to measure.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.11
कुमारं संपरं विद्धि द्विस्तरं वामनं गतः । एष वै एष चैवस्यकुतरेकः कुलाधिकः
kumāraṃ saṃparaṃ viddhi dvistaraṃ vāmanaṃ gataḥ / eṣa vai eṣa caivasyakutarekaḥ kulādhikaḥ
Know the 'boy' (kumāra) as the joined one, gone twofold (or) as the dwarf (vāmana); this indeed is that one, and it is the higher one, superior to (its own) family.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.12
स्वेत स्वे कातरे जातकलामग्नितरैषितः । तस्मिंश्चैव स्वरे वृद्धिर्निष्टप्ते तद्विचक्षणः
sveta sve kātare jātakalāmagnitaraiṣitaḥ / tasmiṃścaiva svare vṛddhirniṣṭapte tadvicakṣaṇaḥ
In each one's own interval, the time-unit that has arisen is impelled by the fire-tone(?); and in that very note there is increase when it is fully heated — so (says) one skilled in that.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.13
स्येनस्तु अपरो हस्त उत्तरः कमलाकलः । प्रमाणघसबिन्दुर्ना जायते विदुरे पुनः
syenastu aparo hasta uttaraḥ kamalākalaḥ / pramāṇaghasabindurnā jāyate vidure punaḥ
The 'hawk' (śyena), however, is the other; the hand (hasta) is the higher, having lotus-time-units; the point of measure ... is born again at a distance.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.14
कला कार्या तु वर्णानां तदा नुः स्थापितो भवेत् । विपर्ययस्य रोपिस्या द्यस्य प्रादुर्घटी मम
kalā kāryā tu varṇānāṃ tadā nuḥ sthāpito bhavet / viparyayasya ropisyā dyasya prādurghaṭī mama
The time-unit is to be made for the tone-colours; then the (tone) becomes established; but of the reverse (case) ... the manifestation is mine.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.15
एकोत्तरः स्वरस्तु स्यात्षड्जतः परमः स्वरः । अक्षेपस्कन्दनाकार्यं काकस्योयचपुष्कलम्
ekottaraḥ svarastu syātṣaḍjataḥ paramaḥ svaraḥ / akṣepaskandanākāryaṃ kākasyoyacapuṣkalam
The note should be one degree higher; from ṣaḍja (comes) the highest note; the throwing-up and the leaping are not to be done; that of the crow is abundant(?).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.16
संतारौ तौनुसर्वाय्यौ कार्यं वा कारणं तथा । आक्षिप्तमवरोह्यासीत्प्रोक्षमद्यस्तथैव च
saṃtārau taunusarvāyyau kāryaṃ vā kāraṇaṃ tathā / ākṣiptamavarohyāsītprokṣamadyastathaiva ca
The two crossings are to be followed in all (ways); (there is) likewise the effect or the cause; the thrown-up (ākṣipta) was to be descended, and likewise the sprinkled and the ...
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.17
द्वादशे च कलास्थानामेकान्तरगतस् तथा । प्रेशोल्लिखितमलङ्कारमेवस्वरसमन्विता
dvādaśe ca kalāsthānāmekāntaragatas tathā / preśollikhitamalaṅkāramevasvarasamanvitā
And in the twelfth of the time-unit positions, likewise one that proceeds with one (note) intervening; the ornament called 'scratched out' (ullikhita) is accompanied by that very note.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.18
स्वरस्वरबहुग्रामकाप्रयोष्टनुपत्कला । प्रक्षिप्तमेव कलयाचोपादानारयो भवेत्
svarasvarabahugrāmakāprayoṣṭanupatkalā / prakṣiptameva kalayācopādānārayo bhavet
... note by note, with many scales, the time-unit not falling in the application(?); and by the mere time-unit the 'inserted' (prakṣipta) would be a means of taking up.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.19
द्विकथंवावथाभूतयत्रभाषितमुच्यते । उच्चराद्विश्वरारूढातथायाष्टस्वरातथा
dvikathaṃvāvathābhūtayatrabhāṣitamucyate / uccarādviśvarārūḍhātathāyāṣṭasvarātathā
Where it is said to be twofold or as it has become — (there) it is called 'spoken'; from the raised one, mounted with all notes, and likewise with eight notes.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.20
वापः स्यादवरोहेण नारतो भवति ध्रुवम् । एकान्तरं च ह्येतेवैतमेवस्वरसत्तमः
vāpaḥ syādavaroheṇa nārato bhavati dhruvam / ekāntaraṃ ca hyetevaitamevasvarasattamaḥ
By descent there would be a sowing(?); it certainly does not become 'nārata'; and with one (note) intervening, these very ones — this indeed is the best of notes.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.21
सक्षिप्रच्छेदनामाचचतुष्कलगणः स्मृतः । अलङ्कारा भवन्त्येते त्रिंशद्देवैः प्रकीर्त्तिताः
sakṣipracchedanāmācacatuṣkalagaṇaḥ smṛtaḥ / alaṅkārā bhavantyete triṃśaddevaiḥ prakīrttitāḥ
The one named 'brief cutting' is remembered as a group of four time-units; these are the ornaments, declared as thirty by the gods.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.22
वर्णास्थानप्रयोगेण कलामात्राप्रमाणतः । संस्थानं च प्रमाणं च विकारो लक्षणस्तथा
varṇāsthānaprayogeṇa kalāmātrāpramāṇataḥ / saṃsthānaṃ ca pramāṇaṃ ca vikāro lakṣaṇastathā
By the employment of the tone-colours' positions, according to the measure of time-units and moras: configuration, measure, modification, and likewise the defining mark —
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.23
चतुर्विधमिदं ज्ञेय मलङ्कारप्रयोजनम् । यथात्मनो ह्यलङ्कारो विपयस्तो विगर्हितः
caturvidhamidaṃ jñeya malaṅkāraprayojanam / yathātmano hyalaṅkāro vipayasto vigarhitaḥ
this fourfold purpose of the ornament is to be known; for just as one's own ornament, when reversed, is blameworthy —
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.24
वर्ममेवाप्यलङ्कर्त्तुं विषमाह्यात्मसंभवाः । नानाभरणसंयोगा यथा नार्या विभूषणम्
varmamevāpyalaṅkarttuṃ viṣamāhyātmasaṃbhavāḥ / nānābharaṇasaṃyogā yathā nāryā vibhūṣaṇam
so too, to adorn the tone-colour, (things) arising from its own nature are unsuitable (when misapplied); the combinations of various ornaments are like the adornment of a woman.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.25
वर्मस्य चैवालङ्कारो विभूषा ह्यात्मसंभवः । न पादे कुण्डलं दृष्टं न कण्ठे रसना तथा
varmasya caivālaṅkāro vibhūṣā hyātmasaṃbhavaḥ / na pāde kuṇḍalaṃ dṛṣṭaṃ na kaṇṭhe rasanā tathā
And the ornament of armour is an adornment arising from itself; no earring is seen on the foot, nor likewise a girdle on the neck.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.26
एवमेवाद्यलङ्कारे विपर्यस्तो विगर्हितः । क्रियमाणो ऽप्यलङ्कारो नागं यश्चैव दर्शयत्
evamevādyalaṅkāre viparyasto vigarhitaḥ / kriyamāṇo 'pyalaṅkāro nāgaṃ yaścaiva darśayat
Just so, in the first ornamentation, (what is) reversed is censured; even an ornament being applied (wrongly) is one that displays a defect (?).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.27
यथादृष्टस्य मार्गस्यकर्त्तव्यस्यविधीयते । लक्षणंपर्यवस्यापिवर्त्तिका मपिवर्त्तते
yathādṛṣṭasya mārgasyakarttavyasyavidhīyate / lakṣaṇaṃparyavasyāpivarttikā mapivarttate
It is prescribed for the path (or method) that has been seen (and) is to be performed; and having concluded the definition, the commentary too proceeds (?).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.28
याथातथ्येन वक्ष्यामि मासोद्भवमुखोद्भव । त्रयोविंशतिशीतिस्तु विज्ञातपवदैवतम्
yāthātathyena vakṣyāmi māsodbhavamukhodbhava / trayoviṃśatiśītistu vijñātapavadaivatam
I shall declare (it) as it truly is, O you born from the mouth (?), arising in the month (?); the twenty-three (and) the 'śīti' (?), whose deity is known as the Wind (?).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.29
नगोनातुपुरस्तानुमध्यमांशस्तु पर्ययः । तयोर्विभागो देवानां लावण्ये मार्गसंस्थितः
nagonātupurastānumadhyamāṃśastu paryayaḥ / tayorvibhāgo devānāṃ lāvaṇye mārgasaṃsthitaḥ
Not in front of the 'nagon' (?), but the madhyama note is the sequence; the division of these two, among the gods, is established in the path of loveliness (?).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.30
अनुषङ्गमयो दृष्टं स्वसारं वस्वरातर । विपर्ययः संवर्त्तो च सप्तस्वरपदक्रमम्
anuṣaṅgamayo dṛṣṭaṃ svasāraṃ vasvarātara / viparyayaḥ saṃvartto ca saptasvarapadakramam
The 'anuṣaṅga' (continuation) has been seen (?), (its) own essence (?)...; and the reversal, and the saṃvarta, and the sequence of the seven notes.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.31
गान्धारसेतुगीयन्ते वरोमद्भगवानिच । पञ्चमंमध्यमञ्चैवधैवतं तु निषादतः
gāndhārasetugīyante varomadbhagavānica / pañcamaṃmadhyamañcaivadhaivataṃ tu niṣādataḥ
They sing the gāndhāra-setu (?), and 'varomad bhagavān' (?); the fifth (pañcama) and the middle (madhyama), and the dhaivata after the niṣāda.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.32
षड्जर्षभश्चजानीमोमद्रकेष्वेवनान्तरे । द्वेव्द्यपरतुकिंविद्याद्द्वयमुष्णन्तिकस्यतु
ṣaḍjarṣabhaścajānīmomadrakeṣvevanāntare / dvevdyaparatukiṃvidyāddvayamuṣṇantikasyatu
We know ṣaḍja and ṛṣabha to be in the madraka(s) alone, in between; but what should one know of the second and the following? — there is a pair for the uṣṇantika (?).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.33
प्राकृते वैकृते चैव गान्धारः स प्रयुज्यते । पदस्यात्ययरूपन्तुसप्तरूपन्तुकौशिकीम्
prākṛte vaikṛte caiva gāndhāraḥ sa prayujyate / padasyātyayarūpantusaptarūpantukauśikīm
In the natural (prākṛta) and in the modified (vaikṛta) alike that gāndhāra is employed; the form of the passing-away of the pada (?), but the seven-fold form (belongs to) the kauśikī.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.34
गान्धारस्येनकार्त्स्येन चायं यस्यविधिः स्मृतः । एषचैवक्रमोद्दिष्टोमध्यमांशस्य मध्यमः
gāndhārasyenakārtsyena cāyaṃ yasyavidhiḥ smṛtaḥ / eṣacaivakramoddiṣṭomadhyamāṃśasya madhyamaḥ
This rule which is recorded as belonging to the gāndhāra in its entirety — and this sequence is set forth as the middle one for (the mode) whose aṃśa is madhyama.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.35
यानि प्रोक्तानि गीतानिवतुरूपं विशेषतः । ततः सप्तस्वरङ्कार्यंसप्तरूपञ्चकौशिकी
yāni proktāni gītānivaturūpaṃ viśeṣataḥ / tataḥ saptasvaraṅkāryaṃsaptarūpañcakauśikī
Whatever songs have been declared, (and) the form of the metre in particular — thereafter the seven notes are to be made, and the seven-fold form (is) the kauśikī.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.36
अगदर्शनमित्याहुर्मानुद्वैममकेतथा । द्वितीयामासमात्राणाभिः सर्वाः प्रतिष्ठिताः
agadarśanamityāhurmānudvaimamaketathā / dvitīyāmāsamātrāṇābhiḥ sarvāḥ pratiṣṭhitāḥ
They call it 'agadarśana' (?), and likewise the 'mānudvaimamaka' (?); by these, all (the modes) of the measures of the second month (?) are established.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.37
उत्तरेवप्रकृत्येवंमाताब्राह्मतलायत । तथाहतानोपिडकेयत्रमायांनिवर्त्तते
uttarevaprakṛtyevaṃmātābrāhmatalāyata / tathāhatānopiḍakeyatramāyāṃnivarttate
In the uttara, just as in the prakṛti (natural form), the mother (mātrā?) is stretched out on the level of brahman (?); and likewise, where it is struck (but) not pressed, the measure turns back (?).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.38
पादेनैकेनमायात्रा पादोनामतिवारिमः । संख्यापनोपहूतांवैतत्रपानमिति स्मृतम्
pādenaikenamāyātrā pādonāmativārimaḥ / saṃkhyāpanopahūtāṃvaitatrapānamiti smṛtam
By one quarter (pāda) the measure comes; less by a quarter it goes beyond (?); the summoning by declaring the count — that here is recorded as 'trapāna' (?).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.39
द्वितीयपादभङ्गञ्चग्रहेनामप्रतिष्ठितम् । पूर्वमष्ठतीटती नद्वितीयं चापरान्तिकैः
dvitīyapādabhaṅgañcagrahenāmapratiṣṭhitam / pūrvamaṣṭhatīṭatī nadvitīyaṃ cāparāntikaiḥ
And the breaking of the second quarter is not established by the graha (initial beat); the first is such and such (?), and the second (is done) with the aparāntika (measures).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.40
पादभागसपादं तु प्रकृत्यमपि संस्थितम् । चतुर्थमुत्तरं चैवमद्रवत्पावमद्रकौ
pādabhāgasapādaṃ tu prakṛtyamapi saṃsthitam / caturthamuttaraṃ caivamadravatpāvamadrakau
The quarter-portion together with a (further) quarter stands also in the natural (form); and the fourth is the uttara, and (then) the madravat and the pāvamadraka (?).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.41
मद्रकोदक्षिणस्यापि यथोक्ता वर्त्तते कला । सर्वमेवानुयोगं तु द्वितीयं बुद्धिमिष्यते
madrakodakṣiṇasyāpi yathoktā varttate kalā / sarvamevānuyogaṃ tu dvitīyaṃ buddhimiṣyate
For the madraka and for the dakṣiṇa too the beat (kalā) proceeds as stated; but the whole joining-together is held to be the second in intention (?).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.42
पादौवाहरणं चास्यात्पारं नात्र विधीयते । एकत्वं मुनुयोगस्य द्वयोर्यद्यद्द्विजोत्तम
pādauvāharaṇaṃ cāsyātpāraṃ nātra vidhīyate / ekatvaṃ munuyogasya dvayoryadyaddvijottama
And there should be a carrying-off of the two quarters for it; no limit is laid down here; (there is) unity of the conjunction of the two, whichever they be, O best of the twice-born.
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain
BndP 2 62.43
अनेकसमवायस्तु पातका हरिणा स्मृताः । तिसृणां चैव वृत्तीनां वृत्तौ वृत्ते च दक्षिणः
anekasamavāyastu pātakā hariṇā smṛtāḥ / tisṛṇāṃ caiva vṛttīnāṃ vṛttau vṛtte ca dakṣiṇaḥ
But the combination of many is declared by Hari (?) to be the 'pātakās'; and of the three tempos (vṛttis), in the vṛtti and in the vṛtta the dakṣiṇa (applies).
AI translation rendered from the Sanskrit, not a published edition — the model flagged this verse as uncertain